plays | Dangerous Common Sense

The River Bride

By Galen|2016-09-05T11:56:59-07:00September 5, 2016|osf, plays|

Ashland, Oregon at the Oregon Shakespeare Festival The River Bride by Marisela Treviño Orta Some plays are so mystical and rich with meaning that I feel inadequate. I know I should be getting more from the plot, from the language, from gestures, from everything. I am not worthy to be viewing the performance and should only be allowed back in the theater after completing a refresher course of Symbolism 201. Either that, or the play itself actually is thin, obvious, and over hyped. My ego makes me choose the later reason for my reaction to The River Bride. Ensemble from "The River Bride". [...]

0

Twelfth Night

By Galen|2017-01-02T14:28:10-08:00September 5, 2016|osf, plays|

Ashland, Oregon at the Oregon Shakespeare Festival Twelfth Night by William Shakespeare Director Christopher Liam Moore invented a brilliant, fun concept for this workhorse comedy: set it on a 1930's movie musical set. Emphasize the scripted music and add more song and dance! Unleash the voices and tapping toes! Keep the Shakespeare give it 20th Century Foxiness! Scenes are sharp, funny homages to classic the musical films of the day. Susan Tsu's costumes are elegant and completely right. You get your ticket's worth from the fashion show alone. Twelfth Night - photo by OSF You will be talking for years about Moore's [...]

0

“A Song at Twilight”

By Galen|2016-01-24T11:00:12-08:00January 23, 2016|plays|

San Francisco, CA at Theatre Rhinoceros A Song at Twilight By Noël Coward Theatre Rhinoceros’ A Song at Twilight is an excellent production in every way. Its short, two-week run is almost half over, and I say grab a ticket. (They're cheap, too!) First, I need to address the lingering, decades-old stigma of Theatre Rhino's productions. Too often in the distant past, going to The Rhino was a duty of gaydom/lesbianness. We went to support queer theater, and we often suffered through embarrassingly poor plays and unskilled actors. We went to show solidarity, but we rarely went expecting much or left [...]

0

The Happiest Song Plays Last

By Galen|2015-08-26T15:05:37-07:00August 25, 2015|osf, plays|

Ashland, Oregon at the Oregon Shakespeare Festival The Happiest Song Plays Last by Quiara Alegría Hudes Daniel Duque-Estrada (Elliot) and Barzin Akhavan (Ali). Photo by Oregon Shakespeare Festival. The Happiest Song Plays Last, the third installment of Iraq war veteran Elliot Ortiz's struggle with his combat experience and aftermath, fulfills the promise of the complex emotional saga. While nominally about Elliot, three characters have legitimate claim to be considered the lead: Elliot (Daniel Duque-Estrada), his cousin Yaz (Nancy Rodriguez), and Yaz's neighbor Agustin (Armando Duran). Even then, some of the deepest scenes center on other characters, Ali (Barzin Akhavan) [...]

2

Head Over Heels — World Premiere

By Galen|2015-08-23T16:50:34-07:00August 23, 2015|osf, plays|

Ashland, Oregon at the Oregon Shakespeare Festival Head Over Heels Play by Jeff Whitty Music and Lyrics by the Go-Go's Jonathan Tufts and Ensemble. Photo by Oregon Shakespeare Festival. Head Over Heels is the latest saucy work from the razor-sharp, careful, sensitive, and insanely clever mind of Jeff Whitty. His inventive approaches to story telling are twisted and brilliant, and this Oregon Shakespeare Festival production exquisitely delivers pure fun. The play uses the Go-Go's songbook as the source of its music, although Music Director Geraldine Anello has dramatically freed some of the arrangements from the original signature driving beat when Whitty's [...]

0

Anthony and Cleopatra

By Galen|2015-08-23T16:00:53-07:00August 23, 2015|osf, plays|

Ashland, Oregon at the Oregon Shakespeare Festival Anthony and Cleopatra by William Shakespeare Derrick Lee Weeden and Miriam Laube. Photo by the Oregon Shakespeare Festival By far the best aspect of Oregon Shakespeare Festival's 2015 production of Anthony and Cleopatra is the set. Scenic designer Richard Hay creates a clean, beautiful, symbol-filled space for the Shakespeare tragedy. The golden-royal triangles reprised in various forms work as ships, pyramids, and boundaries. The triangles are bold and colorful, and vivid Egyptian-themed props enhance the feel of empire and luxury. Hay does a great job. He skillfully keeps the physical on-stage material to a [...]

0

The Count of Monte Cristo

By Galen|2015-08-23T12:15:12-07:00August 22, 2015|osf, plays|

Ashland, Oregon at the Oregon Shakespeare Festival The Count of Monte Cristo by Alexandre Dumas Raffi Barsoumian (Danglars) and Al Espinosa (Dantes). Photo by Oregon Shakespeare Festival Who knew that a revenge melodrama could be so much fun? Oregon Shakespeare Festival presents a sharp, finely timed, excellently acted, satisfying evening of a classic payback story written as a book by Alexandre Dumas in 1844 and adapted for the stage as early as 1848. The version of the play OSF picked to perform is meaningful. This Count stems from an adaption by Charles Fletcher in 1868. The play was further adapted by James O'Neill who bought the rights to [...]

0

Sweat
Gallery
Sweat

osf, plays

Sweat

By Galen|2015-08-27T07:57:54-07:00August 19, 2015|osf, plays|

Ashland, Oregon at the Oregon Shakespeare Festival Sweat by Lynn Nottage | World Premiere Jack Willis, Carlo Alban, and K.T. Vogt in "Sweat".photo by the Oregon Shakespeare Festival Sweat is Lynn Nottage's brilliant story of people and community in collapse. Before writing this commissioned American Revolutions series play, Nottage talked to residents of America's poorest city of 2001, Reading, Pennsylvania. Her work shares the residents' pain, losses, and self-immolation as their good jobs are eliminated in relentless, financially logical, corporate-mandated factory closings and union busting. I knew the story's outline coming into the theater. I expected satisfying liberal ranting and raving at the [...]

0

The Best Season Opening

By Galen|2015-03-06T13:53:26-08:00March 4, 2015|osf, plays|

Oregon Shakespeare Festival's season opening this past weekend showcased four excellent productions. It was the strongest festival start that I -- and my more experienced Ashland friends -- have experienced. Bravo! I hope to write full reviews of each performance. But, here are my snap judgements, listing the four plays in my overall order of enjoyment. Fingersmith by Alexa Junge based on the novel by Sarah Waters Syntax says: photo by Oregon Shakespeare Festival This world premiere commissioned by the festival is full of "Wow" plot twists delivered with exquisite attention to language and the style of the times (1861). [...]

0

The Great Society

By Galen|2014-08-17T16:53:52-07:00August 17, 2014|plays|

Ashland, Oregon at the Oregon Shakespeare Festival Jack Willis as LBJ. OSF photo by Jenny Graham The Great Society by Robert Schenkkan | World Premiere I lived through the unsettled, uncertain four years of the Presidential term of Lyndon Johnson, the period in which The Great Society is set. It was a time of strong political and cultural tides. After decades of seeming nationwide societal consensus, the country was splitting along race and age lines. Johnson was at the center of the turmoil, pushing for equality while earning the enmity of young people and liberals with his Vietnam War. I demonstrated [...]

0